Greater Good · 29 days ago
Kellita Maloof didn't understand what burlesque had been doing for her until a serious illness forced her to reflect on how the dance form had taught her to ask, moment by moment, "Am I here? Am I fully inhabiting my body?" What she discovered-and what a growing body of research confirms-is that burlesque offers something rare: a space where women and marginalized people can reclaim bodies that have been shamed, sexualized without consent, or rendered invisible by age, size, disability, or trauma. The dance form's emphasis on being witnessed-not just physically but in one's full humanity-creates what practitioners describe as "coming home" to oneself. In studios and on stages where all bodies are celebrated, from cancer survivors showing their scars to older women reconnecting with their sensuality, burlesque becomes a practice of choosing presence over dissociation, self-possession over shame. As Maloof puts it, "We are not seeing the deep and profound beauty that we are," but burlesque creates an opportunity to be seen from that place-and in being seen, to finally see ourselves.