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The Music That Teaches Us to Listen

Bedtime Story This is not the author’s original text. It’s a creative AI rendition, offered with the author’s permission.
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This is a true story about something wonderful called jazz music, and what it can teach us about being together.

Once upon a time, there was a wise musician named Muhal. He played beautiful music with his friends, and he noticed something amazing. He said, "Why is it that none of us are alike? All the information was not put in one place."

Think about that for a moment. You have special gifts that nobody else has. Your friend has different gifts. Your teacher has different gifts. We're all like puzzle pieces that fit together to make something beautiful.

Muhal and his friends played a special kind of music called jazz. In jazz, musicians don't just follow written notes on a page. They listen very, very carefully to each other, and then they make up new melodies right there on the spot! This is called improvisation.

But here's the secret: to improvise well, you have to practice and practice. You have to know yourself really well. And then—and this is the most important part—you have to ask yourself a special question. Not "How can I be the loudest?" or "How can I be the boss?" Instead, you ask: "Who do I need to be so that my friends can be their very best?"

When jazz musicians play together, something magical happens. Each person plays their own special part, listening deeply to everyone else. No one tries to be more important than the others. Together, they create music more beautiful than any one person could make alone.

Just like a flower needs a bee, and a bee needs a flower, we all need each other. When we listen carefully and help each other shine, we make the world more beautiful—like one big, wonderful song.

And that's something worth dreaming about tonight.

This was originally posted on SFJAZZ.org on March 9, 2022 and November 12, 2021. It is reprinted here with permission from the author.

Srinija Srinivasan previously served as board chair of SFJAZZ and was Yahoo!'s Editor in Chief over the company's first 15 years. She has since co-founded Loove, a developing music venture designed to demonstrate how commerce and technology can be guided by artistic values rather than letting our culture be led by market values. She is also a cofounder of Jubilee College, a two-year school where students will be equally rooted in physical work, rigorous liberal arts study, and contemplative practice. Srinija is a board member of the On Being Project and a former vice chair of Stanford University's Board of Trustees.

In 2020, Srinija addressed the SFJAZZ Board of Trustees during its Leadership Summit and examined the challenges in society and the work required to make the unfulfilled promise of our fragile democracy into a reality, while looking to jazz — and in particular the power of improvisation and its intrinsic qualities — as a model pointing to a better, possible future. This piece was adapted from her remarks.

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3 PAST RESPONSES

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Susan Stuart Clark Dec 11, 2025
What a gift this essay is - thank you! I appreciate how you share the balance between how we each need to understand our own instrument AND engage in creating the conditions for that healthy improvisation that leads us to be medicine with and for each other. I've been blessed with co-improvisors from what is called "grassroots" community -- aka, people bringing their own lived experience of oppression and their own sparks and hands-on practice of alchemy to make the flow of Love in Motion audible/able to be felt in our shared body. As an example, when people point to Dr. Martin Luther King, Jr., I find it equally important to think about Fannie Lou Hamer. The music we’re playing with over here has a role for everyone.
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Rick Brooks Dec 9, 2025
Srinija.
This essay reminded me of many lessons learned through Service Space. Perhaps the most salient message relates to how we become able to improvise. The most impressive improvisation can only be achieved if performers have acquired a level of competence and understanding that frees them to choose combinations of notes and rhythms; often fantastic sequences that can be perceived as a spiritual experience...beyond the expected. Something that transcends the repetitive patterns that have brought the performers to this point. They don't have to think about what notes "work " logically. The magic comes from a deeper source, often performed in an interdependent struction that welcomes that magic. Once we get past the notes and more rigid requirements, improvisation emerges. Looks, sounds and feels like love to me.
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Sara Melzer Dec 9, 2025
This is a fabulous and inspiring set of reflections!