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All the Information Was Not Put in One Place

Poem This is not the author’s original text. It’s a creative AI rendition, offered with the author’s permission.
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What kind of country inherits honey this rich
and cannot swallow it—
the music that made a way out of no way,
forged freedom in the face of crazy-making hypocrisy,
and still we cannot take the medicine?

We're learning the words now: white supremacy,
anti-black racism—necessary, yes,
but only what not to be,
only the dismantling.
Fear is not a sustaining motivation
for the long ride ahead.

Listen: uncertainty is just another name for possibility.
And improvisation is not winging it—
it demands severe initiation, spiritual grounding,
the hard-won capacity to stand on the bandstand
ready to collaborate spontaneously.

You have to be radically empathetic,
listening deeply to your bandmates
while holding command of your own voice,
asking not What do I need to do to have power?
but Who do I need to be
for you to be who you're meant to be?

Muhal Richard Abrams said it:
All the information was not put in one place.
Nine words. Why diversity? There it is.

And RuPaul to Oprah: There's only one of us here.

Power without love is reckless and abusive,
love without power sentimental and anemic—
but power at its best is love
implementing the demands of justice.

On the bandstand, everyone is needed
and no one is centered.
The flower flowers, the bee bees,
and pollination happens—
neither has the whole picture
but the whole becomes greater than the sum.

This was originally posted on SFJAZZ.org on March 9, 2022 and November 12, 2021. It is reprinted here with permission from the author.

Srinija Srinivasan previously served as board chair of SFJAZZ and was Yahoo!'s Editor in Chief over the company's first 15 years. She has since co-founded Loove, a developing music venture designed to demonstrate how commerce and technology can be guided by artistic values rather than letting our culture be led by market values. She is also a cofounder of Jubilee College, a two-year school where students will be equally rooted in physical work, rigorous liberal arts study, and contemplative practice. Srinija is a board member of the On Being Project and a former vice chair of Stanford University's Board of Trustees.

In 2020, Srinija addressed the SFJAZZ Board of Trustees during its Leadership Summit and examined the challenges in society and the work required to make the unfulfilled promise of our fragile democracy into a reality, while looking to jazz — and in particular the power of improvisation and its intrinsic qualities — as a model pointing to a better, possible future. This piece was adapted from her remarks.

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COMMUNITY REFLECTIONS

3 PAST RESPONSES

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Susan Stuart Clark Dec 11, 2025
What a gift this essay is - thank you! I appreciate how you share the balance between how we each need to understand our own instrument AND engage in creating the conditions for that healthy improvisation that leads us to be medicine with and for each other. I've been blessed with co-improvisors from what is called "grassroots" community -- aka, people bringing their own lived experience of oppression and their own sparks and hands-on practice of alchemy to make the flow of Love in Motion audible/able to be felt in our shared body. As an example, when people point to Dr. Martin Luther King, Jr., I find it equally important to think about Fannie Lou Hamer. The music we’re playing with over here has a role for everyone.
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Rick Brooks Dec 9, 2025
Srinija.
This essay reminded me of many lessons learned through Service Space. Perhaps the most salient message relates to how we become able to improvise. The most impressive improvisation can only be achieved if performers have acquired a level of competence and understanding that frees them to choose combinations of notes and rhythms; often fantastic sequences that can be perceived as a spiritual experience...beyond the expected. Something that transcends the repetitive patterns that have brought the performers to this point. They don't have to think about what notes "work " logically. The magic comes from a deeper source, often performed in an interdependent struction that welcomes that magic. Once we get past the notes and more rigid requirements, improvisation emerges. Looks, sounds and feels like love to me.
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Sara Melzer Dec 9, 2025
This is a fabulous and inspiring set of reflections!