<!-- Left Side - Logo, Author, Details --> <div class="story-meta-left"> <div class="story-logo"> <a href="https://www.dailygood.org"> <img alt="DailyGood" src="https://www.karunanews.org/pics/90x90.jpg"> </a> </div> <div class="story-meta-info"> <div class="story-author">By <a href="/author?name=OnBeing">OnBeing</a></div> <div class="story-details"> <span class="story-date">Feb 11, 2019</span> <span class="story-read-time">1 min read</span> </div> <div class="story-source">Source: <a href="https://onbeing.org/programs/pauline-boss-the-myth-of-closure-dec2018/" target="_blank">onbeing.org</a></div> </div> </div> <!-- Right Side - Utility Buttons and Share --> <div class="story-meta-right"> <!-- Utility Buttons (Listen, Translate) --> <div class="utility-buttons"> <div class="dropdown"> <button class="utility-btn translate-btn dropdown-toggle py-1" type="button" id="translationDropdown" data-bs-toggle="dropdown" aria-expanded="false"> <i class="fa fa-language me-2" 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target="_blank" class="share-icon d-none d-sm-inline-flex" aria-label="Share on WhatsApp"> <i class="fab fa-whatsapp"></i> </a> </div> </div> </div> <!-- Story Content --> <div class="story-content" id="dg_story"> <div class="dark-link perm_post"> አሁን እርስዎን መምጠጥ ፣ በእውነቱ ነው - እየተጠቀሙበት ያለው ሐረግ “የመዘጋት አፈ ታሪክ” ነው። ያ በእውነቱ፣ ያ ቃል በቃላችን ውስጥ መቼ እንደገባ አላውቅም - ምናልባት እርስዎ ሊናገሩት ይችላሉ - ነገር ግን ያ ቃል ወደ ጎዳና እንድንመራ አድርጎናል።</p><p> ወይዘሮ አለቃ፡ እኔ አምናለሁ። እኔ እንደማስበው “መዘጋት” ለሪል እስቴት እና ለንግድ ስራ ስምምነቶች ፍፁም ጥሩ ቃል ነው፣ ስለዚህ “መዝጊያ” የሚለውን ቃል አጋንንት ማድረግ አልፈልግም። ነገር ግን "መዘጋት" በሰዎች ግንኙነት ውስጥ አስፈሪ ቃል ነው. አንድ ጊዜ ከአንድ ሰው ጋር ከተጣመሩ፣ ውደዱ፣ ስለሱ ይንከባከቡ - ሲጠፉ አሁንም ስለሱ ያስባሉ። የተለየ ነው። የተለየ ልኬት ነው። ግን ዝም ብለህ ማጥፋት አትችልም። እና ከኔ ተነስተን በመንገዱ ዙሪያውን እንመለከታለን - ለቅድመ አያቶቻቸው በየቀኑ በመስኮቱ ውስጥ ትኩስ ምግብ ያለበት የታይላንድ ምግብ ቤት አለ። ፓቶሎጂካል ናቸው? አይደለም፣ ቅድመ አያቶቻችሁን የምታስታውሱበት ባህላዊ መንገድ ነው። እንደምንም በማህበረሰባችን ውስጥ አንድ ሰው ከሞተ በኋላ በሩን መዝጋት እንዳለቦት ወስነናል። አሁን ግን ሰዎች በሀዘን እንደሚኖሩ እናውቃለን። እነሱ ማለፍ የለባቸውም. ፍጹም ጥሩ ነው። የማወራው ስለ አባዜ ሳይሆን ለማስታወስ ብቻ ነው።</p><p> ወይዘሮ ቲፕት፡- <em>ዘ ጋርዲያን</em> ላይ የጻፍከውን አንድ ነገር ማንበብ እፈልጋለሁ። እኔ እንደማስበው የዚህ አጋጣሚ ሱናሚ፣ ምናልባትም ወይም የጃፓን የመሬት መንቀጥቀጥ ሊሆን ይችላል።</p><p> ወይዘሮ አለቃ፡ የማሌዢያ አየር መንገድ አውሮፕላን ይመስለኛል።</p><p> ወይዘሮ ቲፕት፡ አዎ የማሌዢያ አየር መንገድ። ነገር ግን በ9/11 ስለተማሯቸው አንዳንድ ነገሮች ይጽፉ ነበር። እንዲህ ብለህ ጽፈሃል፣ “ከአንድ ዓመት በኋላ፣ የ9/11 የምስረታ በዓል ላይ አንድ የኒውዮርክ ጋዜጠኛ ታሪክ ሲሰራ የኒውዮርክ ነዋሪዎች እስካሁን ያልጨረሱት ለምን እንደሆነ ጠየቀኝ። ሌላው ገጣሚ ጆን ኬት ለወጣቱ ገጣሚ በጻፈው ደብዳቤ ላይ እንደ TS ኤሊዮት አስተያየት ከሆነ መልስ ከሌለው ጥያቄዎች ጋር የመኖር ችሎታን ማዳበሩን ይመክራል ።</p><p> ወይዘሮ አለቃ፡- አዎ። ሰዎች እንዲወጡት ግፊት ማድረግ ብቻ ማቆም አለብን። ይህን ማድረግ ጨካኝ ነው። የዜና ማሰራጫዎችን ለመዝጋት ያላቸውን ጉጉት ተችቼ ነበር። “መዘጋት” የሚለውን ቃል ይወዳሉ። ግን አንድ ጊዜ ሲኤንኤን በማዳመጥ አንደርሰን ኩፐር ሌሎቹን ጋዜጠኞች አስቁሞ ይህ መጥፎ ቃል ነው ብሎ መናገር አለብኝ። መዘጋት የሚባል ነገር የለም። ለዛ ብቻ እወደው ነበር። ኪሳራ ምን እንደሆነ እንደሚያውቅ ከራሱ የህይወት ታሪክ አውቀዋለሁ እና ምንም መዘጋት እንደሌለ ተረድቷል. በስራው ሂደት ውስጥ ይህንን ሲያስረዳ የሰማሁት እሱ ብቻ ነው። እና ሌሎቻችንም የተሻለ ስራ መስራት ያለብን ይመስለኛል። መዘጋት የሚባል ነገር የለም። ከመጥፋት ጋር መኖር አለብን, ግልጽ ወይም ግልጽ ያልሆነ. እና ምንም አይደለም. እና የሚጎዱ ሰዎችን ማየት እና ቀላል ነገር ለመናገር ምንም ችግር የለውም። "በጣም አዝናለሁ." በእውነቱ ከዚያ በላይ መናገር የለብዎትም።</p><p> [ <em>ሙዚቃ፡- በውቅያኖስ መጨረሻ “መቀበር እና እንደገና ሊታወቅ ነው”</em></p><p> ወይዘሮ ቲፕት፡ እኔ ክሪስታ ቲፕት ነኝ፣ እና ይህ <em>መሆን ላይ</em> ነው። ዛሬ፣ አሻሚ ከሆነው የኪሳራ ባለሙያ እና የቤተሰብ ቴራፒስት ፓውሊን ቦስ ጋር ነኝ።</p><p> ወ/ሮ ቲፕት፡- የሆነ ቦታ አለ - ይህንን በማስታወሻዬ ውስጥ መፈለግ እፈልጋለሁ። ይሄው ነው፡ ኪሳራው አሻሚ ሆኖ ሲቀር “ ብቸኛው የለውጥ መስኮት” የሚገኘው በ“አመለካከት” ላይ ነው። እና የሰዎች ግንዛቤ በውጤታቸው ውስጥ እውነተኛ ነው።</p><p> ወይዘሮ አለቃ፡- አዎ። አሻሚ ኪሳራ ሲያጋጥምህ፣ ምናልባት ማንኛውም ጭንቀት ወይም ክስተት፣ ሰውዬው ወይም ቤተሰቡ በአጠቃላይ እንዴት እንደሚገነዘቡት በአንድ ሰፈር ውስጥ እንኳን፣ ነገር ግን በእርግጠኝነት በአለም ዙሪያ፣ በባህሎች ውስጥ በጣም ይለያያል። ስለዚህ እነዚያን ቤተሰቦች እንዴት መርዳት እንደምንችል ለማወቅ በመጀመሪያ እነርሱ እንዴት እንደሚገነዘቡ ማወቅ አለብን። እንደገና፣ ወደ ትርጉሙ ተመልሰናል፣ በእርግጥ። ይህ ለአንተ ያለው ትርጉም ምንድን ነው?</p><p> በእውነቱ፣ “ይህ ለአንተ ምን ማለት ነው?” ብዬ የምጠይቀው የመጀመሪያው ጥያቄ ይህ ነው። ምክንያቱም ይህ ለእነሱ ምን ማለት እንደሆነ እስካውቅ ድረስ እንዴት ጣልቃ እንደምገባ አላውቅም። “ይህ ለአንተ ምን ማለት ነው?” ካልኩኝ። “የእግዚአብሔር ቅጣት ነው” ወይም “የምወደው ሰው ቅጣት ነው፣ እሱ ሁልጊዜ ከእኔ በኋላ ነው” ወይም እንደዚህ ያለ ነገር ሊሉ ይችላሉ። ከዚያም አመለካከታቸው ምን እንደሆነ አውቃለሁ እና በዚህ መንገድ መቀጠል እችላለሁ. ወይም “ሁልጊዜ በሁሉም ነገር እወድቃለሁ ይህ ማለት ነው” ይሉ ይሆናል። ከዚያ በዚህ መንገድ እንደሚቀጥሉ ያውቃሉ. ወይም ደግሞ አንድ ሰው “ይህ ሌላ ፈተና ነው፣ እና እሱን መቆጣጠር እንደምችል አስባለሁ” ሊል ይችላል። ይህ ሌላ ትርጉም ነው. ልክ እንደነገርኩት የማንቂያ ሰዓት ታሪክ ነበር። ግንዛቤ በጣም አስፈላጊ ነው፣ እና ወደ ጥንካሬ እና ጥንካሬ እንዴት እንደሚቀጥሉ መስኮቱን ይከፍታል።</p><p> ወ/ሮ ቲፕት፡ ስለዚህ ጉዳይ አጥብቀህ ስትጽፍ አላገኘሁም ነገር ግን በፍቺ ውስጥ እንዳለህ ጠቅሰሃል። ከልጆቻችሁ አባት ጋር ተፋታችኋል፣ እናም ይህ ፍቺ አሻሚ ኪሳራ ነው። ያ በእውነቱ ይህንን ወደ ምድር ያመጣል ምክንያቱም ያ በጣም የተለመደ ተሞክሮ ነው። እና እኔ ማለት አለብኝ ፣ ገባኝ ፣ ግን ደግሞ እንዴት አሻሚ ኪሳራ እንደሆነ እንድታብራሩልኝ እፈልጋለሁ ።</p><p> ወይዘሮ አለቃ፡- ደህና፣ በግልጽ እንደምናወራው አደጋዎች በጣም የሚያስደንቅ አይደለም፣ ነገር ግን በየቀኑ የበለጠ የተለመደ ነው። ማለትም፣ አንድን ሰው ትተህ ነው፣ በፍቺ የምስክር ወረቀት ሰው አጥተሃል፣ ግን አሁንም እዚህ አለ። ስለዚህ እነሱ እዚህ ናቸው, ግን እዚህ አይደሉም. እነሱ ይገኛሉ እና በተመሳሳይ ጊዜ አይገኙም። በተለይ እናንተ አብሮ ወላጅ ልጆች ስትሆኑ ያ እውነት ነው። ስለዚህ ፍቺ የተቋረጠ ግን ያልጠፋ የሰው ልጅ ግንኙነት ነው።</p><p> በዊስኮንሲን ዩኒቨርሲቲ እያጠናሁ በነበረበት ወቅት፣ የማጠናው እኚህ የሥነ አእምሮ ሐኪም ካርል ዊትከር፣ “ፍቺ የሚባል ነገር የለም፣ ፈጽሞ ልትፋታ አትችልም” ብለውናል። በዛን ጊዜ እኛ እንዲህ በማለታችን ተናደድን። ግን፣ በእውነቱ፣ ያ ትክክል ነው። አንዴ ዓባሪ ከያዙ በኋላ ሙሉ በሙሉ መቁረጥ አይችሉም። የማንነትህ አካል ነው። የማንነትህ አካል ነው። እንዳልኩት፣ ልጆችን በጋራ የምታሳድጉ ከሆነ፣ አሁንም በአካል እየተገናኙ ነው። የተዝረከረከ ነው። ውስጥ እና ውጪ ነው. ይህ ደግሞ የፍቺ አሻሚነት ነው። እንደዚያው ነው።</p><p> ወይዘሮ ቲፕት: እና እሱ ሀዘን ነው። ኪሳራ ነው አይደል? ምንም እንኳን ቢፈልጉት እና ትክክለኛው ነገር እና ያ ሁሉ.</p><p> ወይዘሮ አለቃ፡ አሁንም ሀዘኑ አለ።</p><p> ወ/ሮ ቲፕት፡- ስለዚህ ጉዳይ ሳስብ፣ አንተን ለቃለ መጠይቅ ሳስብ የገረመኝ፣ ይህ ምናልባት ደግ መሆን ከምንችልባቸው፣ የተሻለ የምንሆንበት ሌላው ጉዳይ ነው። ምክንያቱም ስለ ፍቺ ስናወራ ወይም አንድ ሰው መፋታቱን ስናውቅ፣ እንደ ኪሳራ እንደምንይዘው ወይም በክፍሉ ውስጥ ያለውን ሀዘን እንደምንገነዘብ እርግጠኛ አይደለሁም።</p><p> ወይዘሮ አለቃ፡- አንዳንድ ጊዜ ይቅርታ አድርጌያለሁ በማለት ተሳስቻለሁ። እና “አትሁኑ” ይላሉ። እዚህ ጋር ነው፣ “ይህ ለአንተ ምን ማለት ነው?” የሚለውን መስመር መጠቀም እመርጣለሁ። ስለዚህ ከፍቺው ጋር የት እንዳሉ ፍንጭ ይሰጡዎታል። አንዳንድ ሰዎች፣ በዚህ ዘመን፣ በቃ፣ “ደህና፣ ሁለታችንም ደህና ነን፣ እናም አሁን የራሳችንን መንገድ ለመሄድ ወስነናል” ይላሉ። እና ከዚያ ሌላ ሰው “በጣም ደክሞኛል” ሊል ይችላል። ስለዚህ “ይህ ለአንተ ምን ማለት ነው?” የሚለው ጥያቄ ይመስለኛል። ፍንጭ ለማግኘት መንገድ ነው። እና ከዚያ በኋላ እንዴት እንደሚቀጥል ለማወቅ.</p><p> ወ/ሮ ቲፕት፡- ከጥቂት ጊዜ በፊት በተናገሩት ነገር ላይ እንደዚህ አይነት ነገር ይከተላል፣ መዘጋት የሚባል ነገር የለም፣ ኪሳራ ሲኖርዎ ወይም ሲያዝኑ፣ በሆነ መንገድ የእርስዎ አካል እንደሆነ ይቆያል፣ እና ያ የተለመደ ነው። እና እርስዎ የተናገሩበት ሌላ መንገድ ይኸውና፣ “የሞቱትን የሚወዷቸውን ሰዎች በልብዎ እና በአእምሮዎ ውስጥ ማስቀመጥ፣ ልክ እንደ ስነ-ልቦናዊ ቤተሰብ አይነት፣ በትርጉም የበለፀገ ሊሆን ይችላል፣ እና እንደ ፓቶሎጂ መባል የለበትም። ይህንን ድርሰት ስለ መዝጋት አፈ ታሪክ ፣ የመዘጋት ችግር ፣ ከባልደረባ ጋር ጽፈዋል ። እሷም የአእምሮ ሐኪም ነበረች? የሥነ ልቦና ባለሙያ?</p><p> ወይዘሮ አለቃ፡ አይ. ዶና ካርነስ. በማዲሰን፣ ዊስኮንሲን የምትኖር ገጣሚ ነች።</p><p> ወይዘሮ ቲፕት፡ እሺ ስለዚህ ያ ምክንያታዊ ነው። ምክንያቱም ግጥሟ - ታሪኳን ይንገሯት. አሻሚ ኪሳራ የሆነ በጣም አይነት ክላሲክ ጉዳይ ነበራት።</p><p> ወይዘሮ አለቃ፡- አዎ። ጂም ግሬይ የኮምፒዩተር ሳይንቲስት፣ የቱሪንግ ሽልማት አሸናፊ፣ በቴክኖሎጂ መድረክ ውስጥ በምእራብ ኮስት ላይ ለብዙ ሰዎች ታዋቂ አማካሪ ነበር። ከሳን ፍራንሲስኮ የባህር ወሽመጥ አንድ እሁድ በመርከብ ተጓዘ እና ከዚያን ጊዜ ጀምሮ አልታየም። ከቤተሰብ ጋር እና በእውነቱ ከማይክሮሶፍት ጋር ከመታሰቢያ ፋንታ ግብር እንዲኖረኝ ሰራሁ።</p><p> የጂም ግሬይ ሚስት ዶና ካርነስ ትባላለች፣ እና አሁን ወደ ዊስኮንሲን ተመልሳለች፣ እሱም የቤተሰቧ የመጀመሪያ ቤት ነበር። ስለጠፋ ባሏ አንዳንድ ድንቅ ግጥሞችን ጻፈች ብዬ አስባለሁ። እሷም እንዲህ ትቋቋማለች።</p><p> ወይዘሮ ቲፕት፡- በዛ መጣጥፍ ውስጥ የመጨረሻው ነው ብዬ የማስበውን ይህን ብታነቡት እንደሆነ አስብ ነበር። እዚህ ይዤው ነበር፣ “Walk On”፣ እሱም ልክ ለእኔ መስሎ የታየኝ - ይህን የምታወራውን ነገር ለማድረግ የሚያስችል መንገድ ያዘ - በአሻሚነት መኖር፣ እና ሀዘኑ የእናንተ አካል ይሁን፣ እናም ኪሳራው ኪሳራ ይሁን እና ህይወት ትርጉም ይስጥ።</p><p> ወይዘሮ አለቃ፡ ዶና ካርነስ “ይራመዱ” ብለው ጽፈዋል።</p><p> "አንተ ትሄዳለህ / አሁንም ከጎኔ ፣ / በመሸ ጊዜ ውስጥ ዓይኖች ተጨልፈዋል ፣ / እርስዎ ነዎት / የሚዘገይ ጥያቄ / በእያንዳንዱ ቀን መጨረሻ። / መሳቅ አለብኝ / እንዴት / ክፍት ሆኖ እንደቀረህ - / አሁንም ከእኔ ጋር / ከነዚህ ሁሉ ዓመታት በኋላ / ከጠፋብኝ።</p><p> ወይዘሮ ቲፕት፡ አዎ። ታውቃለህ ፣ ፓውሊን ፣ መጀመሪያ ላይ እንኳን ፣ እንደማስበው ፣ የመጀመሪያ መፅሃፍህ የሆነውን <em>አሻሚ</em> <em>ኪሳራ</em> መጽሐፍ ፣ በግጥም እና በቴራፒስት መካከል ስላለው ዝምድና ትናገራለህ። ስለዚህ ጉዳይ ትንሽ ትናገራለህ? ያ ለእኔ በጣም አጓጊ ነበር።</p><p> ወይዘሮ አለቃ፡- አዎ። ያ አሁን የት ነበር? ማንበብ አለብኝ ብዬ አስባለሁ።</p><p> ወ/ሮ ቲፕት፡ ምናልባት በዚህ ውስጥ “የመዘጋት አፈ ታሪክ” ሊሆን ይችላል።</p><p> ወይዘሮ አለቃ፡- እዚህ ያለ ይመስለኛል። እናም ይህን አምናለሁ፡- “ሳይንሳዊ ግኝቶች የሚከናወኑት በስልት ወይም በአስማት ሳይሆን፣ ስሜትን በማዳመጥ እና ለሀሳብ ምላሽ በመስጠት ለግኝት ክፍት ከመሆን ነው። እንደ ገጣሚ፣ ተመራማሪውም ሆነ ቴራፒስት እውነቱ ምን ሊሆን እንደሚችል የመገመት ችሎታ ያስፈልጋቸዋል። እያንዳንዱ ይፈትነዋል፣ ግን በተለየ መንገድ። ሦስቱንም እወቅ።</p><p> ወይዘሮ ቲፕት፡ ልክ። "እንደ ገጣሚው ሁሉ ተመራማሪው እና ቴራፒስት እውነቱ ምን ሊሆን እንደሚችል መገመት መቻል አለባቸው." አንተ ያልከው ነው?</p><p> ወይዘሮ አለቃ፡- አዎ። እውነት ምን ሊሆን እንደሚችል መገመት አለብን። እና በስታቲስቲክስ እና በጠንካራ ሳይንሳዊ ዘዴዎች፣ ያ እውነት ወይም የእውነት ግምታዊ ነው እንላለን። ግን ትክክለኛውን የጥናት ጥያቄ መጠየቅ ያለብን ይመስለኛል። እና ብዙ ጊዜ፣ ያንን አላደረግንም። ስለዚህ ውስጣዊ እና ምናብ የሚገቡት እዚያ ነው።</p><p> ወይዘሮ ቲፕት፡ ልክ። ትክክለኛውን ጥያቄ በማዘጋጀት ላይ, ይህም ደግሞ ለሕይወት ጥሩ በጎነት ነው.</p><p> ወይዘሮ አለቃ፡ ለሕይወት ጥሩ በጎነት፣ ነው። ደህና፣ እኔ የተማርኩት ይህንን ነው፡ ከአሜሪካዊ፣ ከፕሮቴስታንት፣ ከስዊዘርላንድ-አሜሪካዊ ዳራዬ አንጻር፣ አሻሚነትን ለመቋቋም አሁንም ለእኔ ከባድ ነው። ( <em>ሳቅ</em> ) ምን ያህል አስጨናቂ እንደሆነ በየቀኑ መማር እንደሚያስፈልገኝ ተገንዝቤያለሁ፣ እና ምን ያህል አስጨናቂ እንደሆነ በየቀኑ አስታውሳለሁ። እና በዚህ መካከል እንዴት መሆን እንዳለብኝ መማር አለብኝ። ያ ያበቃል ብዬ አላምንም፣ ግን አሁንም ስለሱ ጉጉት አለኝ። አዎን, በጣም. "መቀበል" የሚለውን ቃል መጠቀም አልወድም, ግን እኛ መፍታት የማንችለውን ነገር ለመመቻቸት መሞከር የምንችል ይመስለኛል.</p><p> [ <em>ሙዚቃ፡- “እንደ ናፍቆት ያለ ነገር” በአባሲ ወንድሞች</em> ]</p><p> ወይዘሮ ቲፕት፡ ፓውሊን ቦስ በሚኒሶታ ዩኒቨርሲቲ ፕሮፌሰር ምሩቅ ናቸው። የእሷ መጽሃፍቶች <em>ማጣት, ቁስለኛ እና የመቋቋም ችሎታ</em> ; <em>የመርሳት ችግር ያለበትን ሰው መውደድ</em> ; እና <em>አሻሚ ኪሳራ</em> . በቅርቡ በሚኒሶታ ዩኒቨርሲቲ “አሻሚ ኪሳራ፡ ትርጉሙ እና አፕሊኬሽኑ” የሚል አለምአቀፍ የመስመር ላይ ኮርስ ጀምራለች። ያንን በ <a href="http://ambiguousloss.com/">ambiguousloss.com</a> ማግኘት ይችላሉ።</p><p> ሰራተኞቹ <em>፡ በመገኘት ላይ</em> ክሪስ ሄግል፣ ሊሊ ፐርሲ፣ ማሪያ ሄልጌሰን፣ ማይያ ታሬል፣ ማሪ ሳምቢላይ፣ ኤሪን ፋሬል፣ ላውረን ዶርዳል፣ ቶኒ ሊዩ፣ ቢታንያ ኢቨርሰን፣ ኤሪን ኮላሳኮ፣ ክሪስቲን ሊን፣ ትርፍ ኢዶው፣ ካስፐር ቴር ኩይሌ፣ አንጂ ቱርስተን፣ ጎዛን ፊሊፕስ፣ ሉካስ ዳሊ ጆንሰን፣ ሉካስ ዳሊ ጆንሰን ሱዜት በርሊ፣ ኬቲ ጎርደን፣ ዛክ ሮዝ እና ሴሪ ግራስሊ።</p><p> [ <em>ሙዚቃ፡- “የመከፋፈያ መስመር” በውቅያኖስ መጨረሻ</em> ]</p><p> ወ/ሮ ቲፕት፡ የእኛ ተወዳጅ ጭብጥ ሙዚቃ የቀረበው እና ያቀናበረው በዞዬ ኪቲንግ ነው። እና የመጨረሻውን ምስጋናችንን በእያንዳንዱ ትርኢት ሲዘፍን የሚሰሙት የመጨረሻው ድምጽ የሂፕ-ሆፕ አርቲስት ሊዞ ነው።</p><p> <em>On Being</em> የተፈጠረው በአሜሪካ የህዝብ ሚዲያ ነው። የገንዘብ አጋሮቻችን የሚከተሉትን ያካትታሉ:</p><p> የጆርጅ ቤተሰብ ፋውንዴሽን, የሲቪል ውይይቶችን ፕሮጀክት በመደገፍ.</p><p> የፌትዘር ኢንስቲትዩት ፣ለአፍቃሪ አለም መንፈሳዊ መሰረትን ለመገንባት ያግዛል። በ <a href="http://fetzer.org/">fetzer.org</a> ላይ ያግኟቸው።</p><p> ካሊዮፔያ ፋውንዴሽን፣ ሁለንተናዊ መንፈሳዊ እሴቶች የጋራ ቤታችንን እንዴት እንደምንንከባከብ መሰረት የሚፈጥሩበትን የወደፊት ጊዜ ለመፍጠር እየሰራ ነው።</p><p> ሰብአዊነት አንድነት፣ በቤት እና በአለም ዙሪያ የሰውን ክብር ማሳደግ። የኦሚዲያር ቡድን አካል በሆነው በ <a href="http://humanityunited.org/">humanityunited.org</a> ላይ የበለጠ ያግኙ።</p><p> የሄንሪ ሉስ ፋውንዴሽን፣ ለሕዝብ ሥነ-መለኮት Reimagined ድጋፍ።</p><p> የኦስፕሬይ ፋውንዴሽን - ለስልጣን ፣ ለጤናማ እና ለተሟላ ህይወት አመላካች።</p><p> እና የሊሊ ኢንዶውመንት፣ በኢንዲያናፖሊስ ላይ የተመሰረተ የግል ቤተሰብ መስራች በሃይማኖት፣ በማህበረሰብ ልማት እና በትምህርት ላይ ላሉት ፍላጎቶች የተሰጠ።</p> </div> </div> <!-- Story Credits --> <!-- Original Story Link (if viewing lens) --> <!-- Inline Share Section --> <div class="inline-share-icons border-0 mt-0 pt-0"> <div class="d-flex align-items-center"> <span class="me-3 fw-semibold">Share this story:</span> <div> <a 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